Subasta Especial de Arte Colonial y Alta Época
HOUSE OF THE SOW: Lords of Puerto de Santa María, Vizcaya, Lara, Villafranca, Oropesa, Torrelobatón, Gibraleón, Huelva, Real de Manzanares, Deza and Enciso. Lords of Tafalla and Caparroso, Barons of Lunel, Counts of Talmont, Clermont, Oléron and Angouleme, Constables of France, Marquis of Cogolludo, Counts and Dukes of Medinaceli, Princes of Fortuna, Infantes of Castile. Among others. This last aspect is essential for the personal affiliation of the bank. Only one Spanish lineage belonging to the highest nobility and greatness used to display the royal arms of France prevailing over those of Castile, and these were the princely house of Lacerda, Dukes of Medinaceli. However, reasonably related to time and age. Length 42 cm Width 32 cm Height 36 cm. COMPARATIVE BIBLIOGRAPHY PM de Winter. A méconnue creation of the Decorative Arts of the Renaissance: The White Lead Pastiglia Box, Saggi e Memorie di storia dell’arte, 14, 1984, pp. 9-131. Boîtes Pastiglia: Trésors caches of the Italian Renaissance from the collections of the Galleria Nazionale d’Arte Antica, Rome, exh. chat. Musée d’art Lowe, Miami, 2002. M. Ajmar-Wollheim et F. Dennis (dir.). À la maison dans l’Italie de la Renaissance, London, 2006, p. 108, chat. 153. Barriault, Anne B. Spaliera. Paintings of the Tuscan Renaissance: Fables de poetes pour les maisons patriciennes. University Park: Pennsylvania State University Press, 1994. Currie, Elisabeth. Interior of the Maison Renaissance. London: Victoria and Albert Museum, 2006. In lignegoñi, P. (1990). Polychromy of the Renaissance in Navarre. Pampelune, Government of Navarra Department of Education,
